At Electric Gallery we believe art should be accessible to everyone. As a member of the Own Art Scheme (backed by Arts Council England), we offer a 0% finance option to our UK customers, for most of the artworks we sell.
With Own Art you can spread the cost of the art you love, over 10 months. You can choose to finance all or just part of your purchase and multiple works can be bought with one loan. You don’t have to pay a deposit and - best of all - you can take your art home with you straight away!
Once you’ve found the artwork that you want to buy, just let us know that you’d like to apply for an Own Art loan to finance your purchase. All you will need is proof of residence and signature (for example, a driving license). The application process typically takes around 10 minutes.
Backed by Art Council England Own Art is a fantastic scheme backed by Art Council England, with 0% finance loans provided by Hitachi Capital Finance. Many of the leading art galleries in Britain are members of the scheme.
Your Own Art Options If the total value of your Own Art eligible artworks at checkout is between £100 and £25,000, you'll be offered the option to apply for a 0% finance loan through Hitachi Capital Finance and spread the cost over 10 months.
Alanna Eakin (b.1988) is an emerging British painter currently living and working in London. She graduated in 2010 with a BA in Fine Art at Central Saint Martin’s London. Alanna has shown work in several exhibitions and art fairs in London and nationwide. Her work is constantly evolving. Alanna's work is concerned with themes of nature, escapism and nostalgia. She has a particular interest in colour, light and abstract mark making. She collects references from the everyday, from travels to exotic places and from memories both present and in childhood. Imagination, memory and imagery allow her to translate a dreamlike scenario onto the surface, playing with colour, light and dimensions. The paintings themselves are loosely planned out in terms of colour and composition. They are made up of layers materials with particular attention paid in the initial stages to the unpredictable nature of abstract mark-making with the paint informing each decision and often inspiring a completely disparate conclusion. The later stages of the painting are carefully considered and composed. Alanna's approach is inspired by the likes of Henri Matisse, David Hockney, Helen Frankenthaler, Pierre Bonnard, Caspar Friedrich, Joan Mitchell, Claude Monet, Peter Doig and many more.”